¡Viva Ghana!

Soccer Cafe ...er, they speak Spanish there, no?

I totally missed the game last weekend, and no doubt due to my--and millions of other Americans'--unforgivably slack-adaisical support for our national side, have to bear (in some small way) responsibility for the bitter end to nuestros sueños del Copa...

But, y'know, despite the greater such responsibility falling on the Ghana Black Stars' laps, and despite not having seen more than another minute of Ghana's other games in this tournament, I have to say this completely un-American Commie pinko New York Times writer has me completely convinced that Ghana Can. Go. All. The. WAY!!!!!!

At any rate, I know who I'm routing for in the Uruguay game.

I painted this wall a year or so ago, and, unfortunately, neglected to snap a pic before they installed their graffiti resistant glossy plexi-sheets over top. I think, since then, the owner has used the logo design to print t-shirts, or something. I should try and score one. He gave me a list of countries to put up there, and looking at it now... well, I can pick out the Nigerian flag... I think that's about all that shows up here for all of Africa, Asia, and Oceania. I guess none of us were bearing in mind South Africa 2010 at the time. But then--who in America ever does?

News from the East

Amidst brainstorming for procrastination, I googled my name and came up with this Chinese language article about the sign shop. I could recognize other names mentioned in the story, which indicated that this was either written by or copied from someone who had actually spoken to me about sign making. I used Google's convenient translation tool (which popped up alongside the search results), to generate this (here's a PDF, if the link fails).  It's dateline is only 2 1/2 months ago, and I don't remember speaking with any Chinese interviewers any time recently (or at all), so I'm guessing this was translated into Chinese from an English-language interview, which, I have to admit, still eludes my memory bank... it's not the ANP Quarterly article... I vaguely recall some British cat interviewing me, from an art school over there, or something. Maybe that was it. I dunno. I'll have to ask around. I can't decide if my favorite part of this is simply reading aloud the re-translated text, or if it's selecting which of the emoticons at the bottom best describes, "this article, when you see the feeling is". I guess I want to tell people about it, so that might be close to "zhaoma". Or I guess "puzzled" would rank pretty high, although... y'know they're all really pretty spot-on, except "qianbian". I mean, I think I might feel that way a little bit... I just can't be sure.news from the east emoticons

Hayes Valley signs

A couple weeks ago, I was gilding a transom on the 100 block of Fell Street.  Actually, I was using the opportunity to teach Aaron how to gild on glass.  He'd done a few surface gilds with us, including the huge, gruelling Stinking Rose job (hard on fingers pushing gold into the grainy stucco surface), but he'd never yet gone out with me on a window gild.  I took lunch, leaving him to patch the gild, and at the same time, took the opportunity to walk around the Hayes Valley neighborhood and take pictures of some signs we'd done but never documented.

My eye is helplessly drawn to the clumsily placed diagonal "We offer --", as a clear example of an idea that works just fine as a computer sketch; but would have benefitted greatly from some attention, an eyeball, and a pencil when it came time to putting the pattern on the board. This is the slippery slope -- THE SLIPPERY SLOPE!!! -- and we are SO teetering on its crumbling edge...

to keep the loving focus and attention on beautiful use of space.

I'm very fond of collaborative efforts. I need to to suggest chalkboard sections to people more often.

I dearly love the women at Miette Confiserie, and at their Patisserie in the Ferry Building. But they need more chalkboards in their sandwich boards.

Here's a big, wordy menu we did for Patxi's Pizza. I made use of this job to practice using Illustrator for layout. My intention was to use assorted "casual" style computer fonts to block in the text areas, and then to letter with our own individual brush lettering peculiarities. But I think the boys relied a little more on the printed fonts as guidelines than I anticipated, and I, of course, wasn't paying as much attention as I should. I guess that's the way it nearly always goes with computer aided design.  My eye is helplessly drawn to the clumsily placed diagonal "We offer", on the right hand panel, as a clear example of an idea that works just fine as a computer sketch, in rough layout stage; but would have benefitted greatly from some attention, an eyeball, and a pencil when it came time to putting the pattern on the board. This is the slippery slope -- THE SLIPPERY SLOPE!!! -- and we are SO teetering on its crumbling edge...Here's a good example of what I'm talking about, although on a much smaller scale. This was laid out in pencil, and lettered in my natural hand. It's even got the same diagonal swoosh motif as the "We offer" bit on the menu; but just a little more attention results in a much more graceful use of space. I s'pose it's easier when there are only five words in the sign, but that's always the challenge: to keep a loving focus and attention on beautiful use of space.In lieu of chalkboards, I'll gladly put more white gold in their windows.

Here's a place that fed us delicious lunch while we were working on their windows. I think it was a Peruvian menu. We painted this logo on two large windows and on the front door. I remember there were something like 180 lines radiating out from that E. They, unfortunately, weren't able to invest in gold for this project, so we painted it in One Shot. We used Metallic Brass, because it shows up brighter in windows than Metallic Gold. Still frightfully dull next to actual leaf, as I think you can tell looking at the Miette window above, or the Brooklyn Circus window in the last post. However, in brightness and visibility, this is leagues above the dim transluscent decals they had in their windows before this.

Stumbling across signs you've painted, but didn't know where they ended up. Not that this is any great shakes. As I recall, Tazi was much like Essencia, in that they weren't able to invest in a more attractive, attention grabbing sign. I think originally we had a design based on a Moroccan mosaic pattern for the background (labor intensive!). Then, we retreated to a silhouette of an antique Moroccan lamp (admittedly intricate, and still a little labor intensive). And finally, they opted for... grey. I failed to suggest a chalkboard section.

The Brooklyn Circus

Today was something of a red letter day at New Bohemia: Jeff, Josh, and I each rode off to different corners of town to paint signs on location while Scott manned the shop and took delivery on orders.  Jeff painted something pertaining to Arizona cattle on a window at Eddie Rickenbacker's bar, in SOMA.  Josh painted "Welcome to Gleneagles GC" on the side of a retired tractor at the golf course in Maclaren Park (I hear they have a good bar that serves the least expensive shots of Potrero Rye and Junipero Gin one can find in the city).  And I painted a tag line and store hours on the windows of The Brooklyn Circus SF, whose windows I gilded last week. There are a lot more photos of last week's gilding process on the "Lifestyle" blog section of the Brooklyn Circus website. Hopefully we'll get some pictures of that tractor and Eddie Rickenbacker's sometime soon...

what's in a name?

I just googled "nbsigns" and found out there's a New Beginnings Signs somewhere in Georgia that uses that as their dot-com address.  It looks like the two nbsigns' occupy very different spectra of the sign industry on their opposite ends of the continent.  I don't imagine our respective customers are getting confused.  I should show Scott, our web czar, so he can ponder the value of the manual slide show portfolio style in the next version of our own web site.  I think our randomly clickable thumbnail format suits our purposes better.

Introductions

I guess I'll describe who's in our li'l crew, briefly. I'm Damon.  I started working at NBS in 1999.  I came in sometime in June, looking for an apprenticeship, and was told I could start the next day.  I found out the owners, Steve Karbo and Yvette Rutledge, had relocated some years before to New Orleans, and a steady progression of on-site managers was running NBS on their behalf.  The man who hired me, the master, as it were, to my apprenticeship, was Maurice O'Carroll.  He had a very steady, graceful hand, even after the two cappuccinos with which he started every work day.  He was running his own free-lance sign painting operation, in addition to managing NBS.  He had plenty of his own clients, not least because of his connections with the Irish ex-pat community.  By the time I met him, Maurice wasn't a drinker, but I met a number of Irishmen who implied that they "knew him when", and they all owned moving companies, painting companies, construction companies, all in need of signs, quick and cheap.  Maurice worked cheap.  He could letter super fast.   I think that led him to assume, in fashioning his bids, that any sign took next to no time.  Thus, they cost next to nothing.  Unfortunately, they didn't take next to no time.  He often had jobs piled up on one another, and difficulties prioritizing between his own gigs, and the NBS gigs.  Of course, this is why he needed an apprentice, such as myself, to help dig him out.

But then, all apprentices start slow.  He didn't get dug out fast enough.  Steve and Yve decided to ask him to leave, and at the same time, Maurice enthused about how my skills were developing.  So, they hired me to replace him as shop manager.  I was still apprenticing, but now my masters were half a country away.  I'd come in and practice on my own time, as agreed, then take photographs of my practice lettering and mail them regularly to New Orleans (this being in the final few years before the digital age truly came into its own).  Steve would call with suggestions on what to practice further, and Yve would fax me (this was a mode of communication whereby printed pages were transmitted through phone lines to crappy printers) sketches of layouts for customer orders, as necessary.

This convoluted business plan soon proved untenable, and before the end of the year they offered me the choice of either buying the business from them, or helping to close it down.  I found the price and the opportunity for self-employment both attractive, so I opted to buy it, and here we are.

I can't say I haven't regretted it at times.  I've tried to sell it away on a few occasions, but with the same tepid gusto I apply to opportunities for growth and progress (personal and business...?).  Of course, growth and progress -- whatever attitudes I myself bring to those concepts -- are all the more confusing prospects when your line of business is as resolutely Luddite as painting letters with a brush.  It's not likely to ever completely disappear, but barring the total collapse of the electricity infrastructure, it won't soon occupy a growing segment of the sign industry.  Of course, that attitude keeps me stuck in the "sign industry".  It's probably wiser to think of what we're doing more as art.  That, at least, is where my crop of apprentices/co-workers (seem to like to try to) keep it.

So, let's meet them:

The longest tenured among them is Josh "Cool Hand" Luke, a/k/a The Stroker, painterly pseudonym: Michael Mercy.  I'm not sure how he came along...  I guess he's an old friend of Keegan, Tauba's mate.  Tauba worked here for maybe... three and a half years?  And when she decided to leave, she suggested her friend Josh would like to replace her here.  So, I think that was... late spring/early summer 2005?

Right about the same time he started, John, from what would soon be Mollusk Surf Shop came in to get a sign made.  He brought his old pal, Jeff Canham, and Jeff asked about apprenticing here.  So, really, I guess he's at least as tenured as Josh, 'cuz I had Tauba do the lettering on the big Mollusk sign, so Josh must not have started yet...  The first thing I remember either of them doing was riding with me up to Santa Rosa to seal and gild some letters molded into a concrete sign at a high school there.  And I remember we all brought skate boards on the second day, because there was a skate park across the street from the school.  And Jeff remembers Josh suggesting that they go into business together, because I'd already told one or both of them that I'd like to sell the joint.  And Jeff's response was something along the lines of, "Excuse me, but what was your name again?"

So, geez, years have passed, and I'm still at it, and they're still at it.  Well, Josh left for a bit, because I was hospitalized a couple years ago after falling out of a tree, and on returning to work told them I didn't have much energy left for this, and that they should look for more hours of work elsewhere.  But now he's back part time.

We also have Aaron Cruse, freelance graphic designer most days, stopping in one day a week.  He's been here for half a year or so, but he thinks he might be splitting soon for a teaching gig in Taiwan.

And Caitlyn Galloway is the apprentice on whom we're pinning our hopes for the future.  We haven't explicitly told her that, so her plans might be otherwise, but we like having her around.  And isn't being published in a practically 'secret' blog, the best way to get news about your employers' intentions?  Seriously, we gotta talk to her about getting in some more hours...

It just occurred to me that as soon as I publish this post, notices will probably be automatically sent to whatever blogs/websites I've linked to herein, so I guess this won't be much of a secret anymore.  Or is that not how it works?  Guess I'll find out!